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A Peep Behind the Scenes by Walton, O. F., Mrs., 1849-1939



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Somehow or other, when Augustus woke, those words were ringing in his ears. What had he been to her in poverty? How had he treated her in sickness? Had he soothed her and cared for her, and done all he could to make their burden press lightly on her? Had he loved her and cherished her? Loved her?--What did those cruel words, those bitter taunts, those unsympathising speeches, tell of the love of Augustus Joyce for his wife? Cherished her?

What kind of cherishing had he bestowed upon her during her illness? What kind of cherishing had he shown her when he had compelled her, almost fainting, to take her part in the play?

'Till death us do part.' That time was very near now,--Augustus Joyce knew that. For once the vcice of conscience was heard by him. He could not forget the lovely face he had seen in his dream, nor the sad, reproachful gaze of those beautiful dark eyes. He jumped from his bed and dressed hastily. He would give his wife some kind words, at least that morning. Conscience should not taunt him with his bitter neglect again.

He hurried to the other caravan, opened the door, and entered. What was the scene which met his gaze?

The sunbeams were streaming in through the small window, and falling on the bed. And there lay his wife, so pale, so ghastly, so still, that Augustus Joyce drew back in horror. And there, with her arms round her mother's neck, and the wreath of roses fallen from her hair on her mother's pillow, lay little Rosalie, fast asleep, with the traces of tears still on her cheeks. Intense sleep and weariness had taken possession of her, and she had fallen asleep on her mother's bed, in her white dress, just as she had been acting at the play.

Augustus drew nearer to his wife, and sat down beside her. Yes, she was dead; there was no doubt of that. The kind words could never be spoken, she would never hear him again, he could never show his love to her now,--never cherish her more. 'Till death us do part.' It _had_ parted them now, parted them for ever. It was too late for Augustus Joyce to make any amends; too late for him to do anything to appease his conscience.

When Rosalie awoke, she found herself being lifted from the bed by her father, and carried into the other caravan. There he laid her on his own bed and went out, shutting the door behind him.

And the next few days seemed like one long dreary night to Rosalie. Of the inquest and the preparations for the funeral she knew nothing. She seemed like one in a dream. The fair went on all around her, and the noise and racket made her more and more miserable. What she liked best was to hear the dull roaring of the sea, after the naphtha lights were out and all in the fair was still.

For, somehow, with the roaring of the waves the fishermen's song came back to her--

'So keep up heart and courage, friends!
For home is just in sight;
And who will heed, when safely there,
The perils of the night?'

And, somehow--Rosalie hardly knew why--that song comforted and soothed her.

CHAPTER XIII

VANITY FAIR